For the white lightning, a transparent bottle of floating, onyx voltage bolts, and electrified tigers.

To play off the rounded shoulders of the bottle’s profile, curves were brought into the die-cut front and back labels and were further emphasized with arced typography. The rest of the whiskeys’ elements command their spaces without hesitation, as any self-respecting, heavy-metal whiskey would.

You know, when people look at a tree, they look at the leaves; they don't look at the spaces between the leaves. They're focused on the tree. I think there's an awareness of spaces or it wouldn't look like a tree to them.
Keith Jarrett
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